Panasonic Lumix DMC-ZS3 10.1 MP Digital Camera

Panasonic Lumix DMC-ZS3 10.1 MP Digital Camera with 12x Wide Angle MEGA Optical Image Stabilized Zoom and 3 inch LCD (Black)

Technical Details

• 10.1-megapixel resolution captures enough detail for poster-size prints
• 12x MEGA optical image-stablilized zoom; 25mm ultra-wide-angle lens
• Capture HD video in "AVCHD Lite" format
• Intelligent Auto (iA) mode; Face Recognition feature
• Capture images to SD/SDHC memory cards (not included)

Product Description

From the Manufacturer

The new Lumix ZS3 features 10.1-megapixels, a 25mm ultra-wide-angle lens and 12x optical zoom, meaning it has added 2x optical zoom to the award-winning TZ-series camera, yet reduced its size. The ZS3 also features a Leica DC Vario-Elmar lens and High Definition (HD) video recording ability, known as AVCHD Lite.

The ZS3 is the world’s first digital camera to feature HD video recording in "AVCHD Lite." Compared with the conventional Motion JPEG format, AVCHD Lite allows longer recordings with breathtaking HD visual and audio quality. This combined with a well-considered control interface, which includes a dedicated movie recording button on the camera’s back panel, makes the ZS3 a hybrid model that performs admirably for both still and motion image capture.

The ZS3 also expands Panasonic’s popular Intelligent Auto (iA) mode with the addition of Face Recognition--a feature that "remembers" faces from previous shots. When a registered face appears in the frame, the camera will prioritize focus and exposure to capture it beautifully. With Face Recognition, when a familiar face is recorded several times, the camera will prompt the users to register the face. Once registered, if the face appears into the frame again, the camera will display the name specified for that person and prioritize focus and exposure so that the registered face is bright and sharply focused.

New this year to the ZS-Series, iA mode is also available in Movie Mode. It automatically selects the most suitable Scene mode and helps to correct handshake, focus and brightness problems - making iA mode your one-stop solution to capture beautiful still and motion images. In Movie Mode, the ZS3, Optical Image Stabilization (O.I.S.) helps prevent handshake when using the high-powered zoom. Face Detection automatically detects a face in the frame and adjusts focus, exposure, contrast, and skin complexion so it turns out perfectly. Intelligent Exposure continually checks the ambient light level and adjusts the exposure setting as conditions change to prevent blown highlights and blocked shadows. And Intelligent Scene Selector automatically switches between Normal, Portrait, Macro, Scenery, and Low Light modes according to the situation to optimize visual quality.

The imaging power of Lumix has further evolved with the Venus Engine HD, which boasts two CPUs to provide approx. 2.4x processing capability and support for AVCHD Lite and HDMI output. It integrates all the advanced functions and camera operations with high performance and low-power consumption. In image processing, luminance noise and chromatic noise are reduced separately before and after signal processing. This is further refined by separating noise two-dimensionally into high-frequency and low-frequency noise. The circuits then effectively reduce only the low-frequency noise to minimize the unwanted noise and help produce beautiful, sharp still and motion images.

Playback with the ZS-series is also easy. Simply insert the camera’s SD memory card into the VIERA HDTV’s Image Viewer SD Card slot for a photo slideshow. Alternatively, connect the camera via an optional HDMI mini cable, the DMW-HDC2, to a VIERA Link-equipped Panasonic VIERA HDTV and use the television’s remote control to run mixed slideshows of photos and videos. The ZS3 features a 3-inch, high resolution 460,000-dot Intelligent LCD with a wide viewing angle, improving visibility during recording and playback.

Other features of the Lumix ZS3 include:

• Increased Scene modes for both still and motion image shooting--optimized for a variety of situations. There are 26 scene modes for still image and 17 for motion image (Portrait, Soft Skin, Transform, Self portrait, Scenery, Low light, Food, Party, Candle light, Sunset, High sensitivity, Beach, Snow, Aerial, Pin hole, Film grain and Underwater)
• Two new My Scene settings let users assign their two most frequently used Scene modes to the setting, and with a simple switch, allow access to either scene instantly.
• New Panorama Assist scene mode allows users to shoot a number of consistent photos, either vertically or horizontally, by aligning them according to a guide that overlaps the screen. Then using those photos and the bundled PanoramaMaker software, users can create dramatic panoramic images.
• High-Speed Burst (Speed Priority) that fires off approx. 10 shots per second.
• Menus are clearer and easier to navigate with the Display Size option.
• Macro Zoom function lets users pull subjects even closer to capture dramatic close-up shots by using the 3x digital zoom in the wide-angle.
• Bundled Software: The latest version of PHOTOfunSTUDIO 3.0 HD Edition allows users to view, edit and archive captured content with greater ease and fun. Still and motion images can be transferred to the computer via a USB cable for viewing and archiving. Using PHOTOfunSTUDIO 3.0 HD Edition, users can edit and remove unwanted portions of video clips recorded in AVCHD Lite. Contents recorded in AVCHD Lite can be burned directly onto a DVD disc or the software can convert contents to MPEG2 format. The software also incorporates the Face Recognition function, which recognizes registered faces in photos stored on the computer, making organizing and archiving photos with a specific person much easier. Additionally, motion pictures can be uploaded directly to YouTube. 

Most Helpful Customer Reviews

557 of 579 people found the following review helpful: 5.0 out of 5 stars 3rd time's a charm- a standing "O" for the ZS3!, April 28, 2009 By  Michael J. Christensen (Elk Grove Village, IL United States)     Amazon Verified Purchase I have owned two prior digital cameras- the first was a Canon that took good pictures, but was too bulky to pocket around and required AA batteries to power it. The second was a Sony CyberShot DSC-W150 that took crappy, blurry pictures in low light. Needless to say, I felt an upgrade was in order. So I'm going on an east coast trip next month. My buddy and I are avid baseball fans. One problem: as we do not always have great seats, taking close-up pictures of ballplayers is a real pain with 99% of the compact point and shoots out there. This is because the camera's size will only allow it 5X optical zoom. You can combine this with digital zooming, but I don't need to tell you how terrible and pixilated this looks. Thus my conundrum. So I really wanted a compact, pocketable camera with a long range optical lens, without having to lug around an expensive digital SLR. Enter the Panasonic Lumix DMC-ZS3. When I read the specs on it, I was in awe. 10 megapixel, 12X OPTICAL zoom. Here's the sweetest part about the zoom- if you planning to use smaller prints (i.e. 4X6), you can quickly adjust the camera's Megapixel (MP) count from 10 to 7, 5, and 3 to yield maximum OPTICAL zooms of 14.3, 17.1, and 21.4 respectably, without much loss of detail on such prints. I wish Panasonic would have allowed the camera to adjust the MP count automatically as you zoom, but it's not too much trouble to change the MP settings manually from the quick menu. Another great feature: the camera's screen is beautiful at 460,000 pixels, twice the count as the rival Canon Powershot SX200 IS (more on that camera later). From the moment you view your first picture, you'll quickly notice how much sharper photos look on this camera. It's a nice convenience to view photos on the camera in a manner closer to the quality that will actually be seen when you're viewing them on the computer (and ultimately printing them). I also want to give Panasonic kudos for the build quality and compactness of this camera. The ZS3 is a replacement for the popular TZ5 model, which was 9MP and 10X Optical Zoom. So they increased the resolution, and added a wider range lens, and REDUCED the size by .4 cubic inches. Specifications aside, I was more than pleased that this camera will comfortably fit inside my jeans pocket. It's a bit bulkier than an ultracompact for sure, but not objectionably so. Note that the SX200 is a full 2.0 cubic inches thicker, another reason I passed on the Canon. Here's a few more reasons the Canon falls short: the Canon has a cheesy looking popup flash that sticks out at the top of the camera, whether you're using flash or not (bad design decision). It has less rated battery life than the Lumix. Also, when shooting video, the Canon does NOT allow you to use optical zooming. Photo quality on the Lumix is excellent, although I've only snapped samples around my place so far. However, I've taken quite a few pictures at low light, and at maximum zoom levels to try to get a bad shot. So far, there's none to be found. I'll put this through its paces more when I travel next month, but I'm extremely pleased so far. As for video shooting, I've sampled it a bit, and it seems pretty solid. The camera gives you the choice of shooting video in its touted AVCHD Lite format (ideal for watching it on your TV in HD with an optional mini to standard HDMI cable), or JPEG if you prefer to email video clips to friends. This year's model also added stereo sound on video playback versus last year's monaural effort. One thing I found a bit strange, was the incredibly slow zooming when shooting video. I guess Panasonic was trying to give the user a more controlled, deliberate zoom, but unlike the snappy photo zooming, it's a bit slow for my liking. Some other minor quibbles: The dial that controls the shooting mode is extremely loose. If you lightly rub it against anything (a camera bag, your pocket), there's a good chance it will shift. When you turn the camera on, it will digitally tell you what mode you're in, but it's still annoying when it happens by accident. Second, when making a quick zoom on an object, it will appear blurry on the camera's screen until the shutter button is pressed. There are modes to continually focus the object when zooming, but this drains the camera's battery life more rapidly. It would be nice if this feature was incorporated automatically without any such sacrifice. Also, I'm not a huge fan of the included PhotofunStudio software bundled with this camera, as there are other, more compelling programs to view, edit, and print photos (I like Canon's Zoombrowser program better). Finally, this is not the camera to buy if you're into manual controls. There's a ton of preset scenes that can be used (nighttime, portrait, baby, sunset, food, etc.), and you can adjust items like flash, white balance, and max ISO level, but this is meant to be a simple point and shoot for casual photographers. Note that the Lumix has an intelligent auto mode (IA) that will analyze the shooting conditions and pick the right scene, flash, and exposure without any adjustments by the user. This camera screams simplicity, but there's enough tweaking on the Normal and Scene modes to keep the vast majority of amateur photographers happy. Regardless of these nitpicks, the Panasonic Lumix DMC-ZS3 is an awesome camera, unbeatable for those that want the best of both worlds- a great zoom lens and compact body. It's a bit pricey at $399, but you're getting quite a lot of camera for your hard earned dollars. I have no doubt that my third digital camera is a terrific buy and a long-term staple for my travels.

291 of 302 people found the following review helpful:

5.0 out of 5 stars Oh my goodness, what a camera!, March 28, 2009

By	Michael McKee "mystic cowboy" (Port Townsend, WA United States)

I have a pro friend who got a review copy of this for a couple of days. He let me use it for one of them, as he hasn't shot with a point and shoot in a long time. I ordered my own within the first hour. What a camera. The zoom on this baby is amazing. It has a true wide angle and a long reach. Photos on both ends of the reach are sharp and have good color and saturation. I almost drooled when I printed out the samples. They are flat out the best point and shoot jpegs that I've had the pleasure of taking. Raw files would be nice but aren't available, nor is much in the way of manual exposure control. As a bit of a control freak, I thought that would be a problem but honestly, Panasonic's smart mode selection is brilliant at getting good, sharp exposures. Focusing is fast, even in low light. Flash seems fine, neither superior nor awful. I took 400 images and a short movie on my first outing and the battery still had some juice. It also has fast and accurate face detection. Holding the camera in my hand, pointing it in the general direction of people on the street without being obvious got consistently good focus. Oh, the image stabilization works very well, too.

The camera is just small enough to fit in a shirt pocket but unless you're wearing heavy denim it's just to heavy to be comfortable there. It slips fine in a vest pocket or jacket, though. Point and shoots have definitely improved in low light performance since I bought my last one. I got perfectly usable shots at 400 ISO. A little noise touch up and they print fine at 11x14. At 1600 ISO you can still get a usable Flickr sized image, again with a run through a noise processor like Noise Ninja.

It has a new video mode that uses half the memory of the normal mov files that it also supports. But finding where they are on the card is a bit of a treasure hunt the first time. They are also a pain to process. I ran a conversion program to turn them into H.264 format. That makes editing much easier. Do that first thing. You can even run the optical zoom while shooting movies, though focus can be a bit slow. Videos are much better than those from the Flip that is all I own for movies.

Great zoom, great photos, great lens, reasonable size, scary accurate automatic mode switching, wow!. If it had a bit more manual control it might be better, then again, I've got a few hundred really nice images. So no complaints.

175 of 180 people found the following review helpful:

5.0 out of 5 stars Excellent zoom and features, chose this over the Canon PowerShot SX200 IS, April 14, 2009

By	Helldiver (Toronto, Canada)

Although I have a Nikon D80 DSLR, I needed a more compact point and shoot camera replacement for my aging Canon S60 with dying batteries. After reading a couple of reviews and a visit to a local camera store I decided to choose the ZS3 over the competing Canon SX200 IS with very similar features. Although the Canon is more familiar to me and has more manual features, the compact size of the Panasonic with better battery life, robust video functions and the fact that it's still made in Japan (versus the Canon which is now manufactured in China) edged out the Canon for me personally (you may want to try both to decide for yourself). So far I have been very happy with this versatile camera - screen is big and bright, facial recognition is neat, zoom is remarkable for a camera of its size and the video quality is excellent for a camera. Only downside is that like the camera store employee said - the autofocus motors inside the Panasonics do seem to be quite loud - i.e. if you are aiming the camera around randomly you can hear the motors whirling away as it refocuses at different potential targets. I enjoyed this purchase and I would recommend this camera to anyone who is looking for a easy-to-use, high quality point and shoot with 12x optical zoom.

Leica M9 18MP Digital Range Finder Camera

Leica M9 18MP Digital Range Finder Camera (Steel Gray, Body Only)

Available for Pre-Order!  10% Off!


$6,995.00

Technical Details

• Smallest full frame digital camera in the world; first Rangefinder camera with a 24 x 36mm format sensor
• 18-megapixel sensor allows the full 35mm format; custom-designed CCD sensor for optimal performance
• Newly-developed cover glass to eliminate infrared light contamination, i.e. no IR filters needed
• Simple Menus and easy handling
• Body only, lenses sold separately; compatible with SD cards up to 2 GB, SDHC cards up to 32 GB (not included)

Leica M9: Hands-on preview by dpreview.com

Leica has officially revealed the M9 - a full frame version of its M-mount rangefinder. The Leica M9, with its 24 x 36mm, 18 megapixel sensor is, according to the company: "the world's smallest full-frame system camera." The body is available in a new "Steel Gray" finish and offers minor button re-arrangement over the M8 - all the major changes relate to the internals. The Kodak-developed CCD sensor features improved offset microlenses to optimize performance at the edges of the frame along with a sensor cover with improved filtering of infrared light so lens-mounted IR filters are no longer needed. Most importantly, the 35mm film-sized sensor means every Leica M-mount lens provides the originally intended field of view.

Product Description

From the Manufacturer

Digital photography enters a new dimension: the Leica M9 is the world's first digital rangefinder camera with a full-format 24 x 36 mm sensor. As the world's most compact full-format system camera, the M9 extends the legendary heritage of the Leica rangefinder M System and unites over 50 years of continuous technical improvements to the system with the best in cutting-edge digital technology.

The successful combination of an extremely high-resolution image sensor, the superior performance of M lenses and sophisticated processing of the captured digital information ensures the best imaging results in all photographic situations. With its wide-ranging technical specifications, the camera adjusts to all fields of photography - from reportage and 'available light' to the capture of discreet and fine-art images alike. The M9 is the ideal tool for all photographers who demand the highest standards in image quality and a freedom of composition.

The 18-megapixel CCD image sensor, specifically designed and developed for the M9, enables the capture of the full 35-mm film format without any compromises. All M lenses mounted on the Leica M9 therefore offer the same angle of view as with film camera models, meaning the enormous potential performance of the current M lens portfolio with focal lengths from 16 to 135 mm is now fully available in a digital camera for the very first time. In addition, most Leica M lenses built since 1954 can still be used on the new M9. Once again, Leica Camera AG proves their commitment to full system compatibility and the enduring value of the M series.

The sensor of the M9 features a newly developed glass cover that is designed to guarantee the suppression of infrared light in practical photography, avoiding the necessity of mounting special UV/IR filters.

Concentrating on essentials, its simple handling is a significant feature of the Leica M System. In the case of the Leica M9, the handling has been further improved by simplification of the menu navigation: setting the sensitivity only requires holding down the ISO button while simultaneously turning the dial to select the required setting. All other functions important for everyday situations are quickly and easily accessible by pressing the set button. Furthermore, the menu also offers a snapshot profile option. In this mode, the M9 automatically sets as many settings as possible and provides a valuable aid to spontaneous and discreet photography. The camera also features automatic lens recognition via 6-bit coding. On the basis of the coded information, the M9 can compensate for any system-inherent lens vignetting effects (darkening in the image corners).

Despite the considerably larger sensor, Leica has been successful in making the Leica M9 body comparable to the compact size typical of M cameras. With its compact dimensions of only 139 × 37 × 80 mm (5.47 × 1.45 × 3.15 inches), the Leica M9 maintains the ideal size of the M series and is now the world's smallest full-format digital system camera.

As a working tool for professionals and ambitious amateur photographers, all features and functions of the Leica M9 are designed for absolute dependability and endurance. The one-piece, full-metal housing is made from a high-strength magnesium alloy. Additionally, the top deck and bottom plate are machined from solid brass blocks providing perfect protection for the precious inner mechanisms. The digital components and shutter assembly of the M9 are similarly constructed with extreme endurance in mind. For photographers, this means absolute reliability for decades of use.

Leica M9 Features and Highlights

The sensor
The CCD sensor specially developed by Kodak for the Leica M9 has been optimised to fully exploit the particular qualities of the Leica M lens system. As a result, the Leica M9 achieves highest resolution values that guarantee outstanding image quality. The image sensor of the M9 employs further-advanced and meticulously designed micro lenses with a low refractive index. The micro lenses at the sensor edges are laterally displaced towards the image center to precisely match the characteristics of M lenses. This optimized micro lens design, based on many years of precision optical engineering experience, captures and concentrates even the most oblique rays on the sensor and reliably prevents image brightness fall-off at the edges and corners of the image. As a result, all existing Leica M lenses maintain their full performance when used for digital photography.

The intentional decision to exclude a moiré filter, which optically filters out the finest image details, was made to permit full the exploitation of the superb resolution of Leica M lenses. Any moiré patterns occurring with the M9 are eliminated in the camera's digital signal-processing software. The optimized signal-noise ratio of the CCD image sensor reduces the need for digital post-processing and ensures that images possess an unrivaled, natural visual impact. This results in high-contrast, particularly high-resolution exposures with natural color rendition from corner to corner.

The lenses
All Leica M lenses mounted on the Leica M9 offer the same angle of view as with film camera models. Therefore, for the first time, the immense performance potential of the lenses is now maintained and can be fully exploited for digital photography. In line with Leica's renowned commitment to extreme system compatibility, most Leica M lenses built since 1954 can be used on the new M9. As a result of the high mechanical and optical precision and extraordinarily good imaging performance, and particularly that of the current range, Leica M lenses are now ideal for use in digital photography. Performance criteria, such as the individual coating of each element, have long been a Leica standard, and there was no need to develop and implement any special measures for 'digital lenses.'

The efficient image sensor on the M9 demands a particularly high spatial resolution that is, above all, offered by the latest M lenses. The excellent correction of optical aberrations and high resolution make them all the more suitable for digital use. The current M lenses are supplied with a 6-bit code on the bayonet mount that is scanned optically by the M9. On the basis of the coded information, the M9 can compensate for any (almost negligible) system-inherent vignetting effects if necessary. In addition, the lens type is recorded in the EXIF data of the image files and, when using the latest flash units like the Leica SF 58, automatically adjusts the reflector to match the focal length of the lens attached.

The viewfinder/rangefinder
The Leica viewfinder / rangefinder system sets the Leica M9 apart from the market-dominating SLR and compact digital cameras and makes it particularly suitable for vibrant reportage photography, 'available light' exposures and discreet portraiture. Photographers become part of the action and frame whatever they wish to capture in the viewfinder--a scene, a mood, a moment. Simultaneously, the photographer still perceives what is going on outside the viewfinder frame. The decisive moment can be anticipated, and can therefore be captured at precisely the right instant. This results in particularly authentic images that are not impaired by the presence of the photographer.

The clear view of the subject remains even during exposure and, even in the most adverse lighting conditions, the bright, high-contrast viewfinder guarantees extremely fast and precise focusing. In combination with the minimal delay between releasing the shutter and capturing the shot--in digital photography too--the combined viewfinder/rangefinder system positions Leica M cameras among the fastest cameras in the world.

In contrast to SLR photography, where focusing must take place through the lens and focal length and aperture determine focusing accuracy, the rangefinder base of the Leica M remains precisely the same and independent of the actual lens being used. This is the reason why its focusing precision is immensely superior for shorter focal lengths. The high-contrast, rectangular RF spot in the center of the viewfinder guarantees fast, precise and pin-sharp focusing, even under adverse lighting conditions.

The frame selector lever allows photographers to simulate different compositions with alternative focal lengths and assess the most appropriate lens for the shot without changing lenses. Because their position is automatically adjusted by automatic parallax compensation depending on the focusing distance, the six different bright-line frames always show the precise image framing. The bright-line viewfinder shows all other information relevant to the capture of a perfect image and the peripheral area around the envisaged subject, thus providing ideal conditions for spontaneous and unobtrusive photography.

The shutter
The Leica M9 features a new, microprocessor-controlled, particularly silent, metal-leaf, focal-plane shutter that enables shutter speeds of up to 1/4000 seconds. This allows the photographer to maintain complete creative freedom by using a selective focus at maximum apertures, even in bright situations. The short flash synchronisation speed of 1/180 seconds enables daylight flash exposures with selective focus.

Together with its compact form, the camera's virtually silent shutter is another keystone for discreet and unobtrusive photography. Additionally, photographers can select the appropriate moment for re-cocking the shutter. When longer exposure times requiring an extremely steady camera stance are essential, a slight pressure on the shutter release button in 'soft release' mode is sufficient.

Intuitive handling
The Leica M9 concentrates the photographer's attention on photographic essentials, not on setting the camera. Particular diligence, many years of experience and a vast knowledge of how professional photographers work have all influenced the handling concept for the digital functions of the Leica M9. The result is a simple, clearly laid-out and intuitive user interface that concentrates purely on essentials; multifunction buttons and complex menu hierarchies have been avoided.

The key control element is an intuitive four-way switch and dial combination that enables fast menu navigation. Pressing the 'set' button activates the capture parameter menu on the 2.5-inch monitor screen. The most important image-capture settings are quickly and easily set in this menu: sensor sensitivity, exposure correction, white balance, image-data compression and resolution. Free profile storage spaces are also available for fast access to frequently used or application-specific combinations. The menu button is also used for changing more permanent, values outlining basic controls in the clearly structured system menu. The photographer can also choose whether the captured image is displayed immediately for assessment on the large monitor, how long it should be displayed and whether an additional tonal value histogram is shown.

The Leica M9 has a delayed shutter release function with a choice of two countdown times -2 and 12 seconds.

The technical features of the Leica M9 allow it to quickly adapt to its intended use. Its sensitivity ranges from ISO 160 (PULL 80) for wide-open apertures on bright days to ISO 2500. At the same time, very low noise and finely detailed images are achieved throughout the sensitivity range, even at the highest settings. The very low noise characteristics, a bright viewfinder / rangefinder, low-vibration shutter and fast lenses make the M9 the perfect camera for 'available light' photography.

Innovative flash technology
The M-TTL flash technology in the Leica M9 enables both precise and creative control over flash and mixed lighting effects. Prior to the actual exposure, a measuring flash is emitted that is metered through the lens. The flash power is then precisely determined with consideration for the natural lighting conditions, ensuring that natural lighting is maintained as much as possible In combination with the aperture priority exposure mode, the auto-slow sync function ensures subtle lighting of the subject, whereby the longest shutter speed may be set manually or, when using 6-bit coded lenses, automatically, according to the 1/focal length rule of thumb.

Image assessment with the tonal value histogram
As a professional digital camera, the Leica M9 naturally offers an RGB tonal value histogram, which can be displayed at any time for the assessment of stored images. This feature is also available in conjunction with the automatic image review function. A useful additional aid is the indication of overexposed image areas by means of a so-called 'clipping warning.' These two quality control tools are updated for enlarged views and thus allow the quality of even the finest image details to be assessed. Pressing the info function button displays all photographically relevant settings, including additional metadata stored in the image files. These functions enable full control over captured results at the shooting location of the digital images.

Digital workflow
The M9 comes with Adobe Photoshop Lightroom, a professional digital workflow solution for Apple Mac OS X and Microsoft Windows. The software is available as an online download for all Leica M9 customers. This also ensures that the latest release is always readily available. Adobe Photoshop Lightroom offers a vast range of functions for the management, processing and presentation of digital images, quite independent of image format. If the images from the M9 are saved as raw data in the standardized and future-proof Adobe Digital Negative Format (DNG), Adobe Photoshop Lightroom, with its sophisticated and precise processing options, guarantees direct and extremely high-quality image processing with maximized image quality. The 14-bit-per-channel color information captured by the image sensor is then processed at a16-bit-per-channel color information until the final presentation, and ensures that the most delicate tonal differentiations are preserved in maximum quality after completion of the post-processing sequence.

Materials, finish and dimensions
The tough and resilient top deck and base plate of the M9 are machined from solid brass blocks, while the full-metal body is manufactured from a high-strength magnesium alloy that ensures a long and reliable professional working life. The rechargeable battery and the SD card slot are protected from dust and moisture under the base plate, which uses a specialized locking mechanism effectively preventing unintentional opening and the subsequent loss of the battery and SD card. In addition, this long-established construction concept, already employed for decades in the Leica M System, significantly increases the structural stability of the camera body.

The experienced technicians at the Leica factory in Solms, Germany are responsible for the hand-assembly and hand-calibration of M9 bodies and the precise testing of all mechanical and electrical components. The experience gathered over decades of maintenance and repairs by Leica Customer Service creates a solid foundation for long life and enduring value. Even today, the service department maintains and repairs all M cameras built since 1954.

Sensor cleaning
The Leica M9 offers a special function for manual sensor cleaning: selecting the appropriate item from the menu and pressing the shutter release locks the shutter open to allow access to the sensor for cleaning purposes. Due to the short register of Leica M cameras, the sensor is easier to access than in DSLR cameras in which the sensors are located behind the mirror box and shutter assembly.

Canon PowerShot SD1200IS 10 MP Digital Camera with 3x Optical Image Stabilized Zoom and 2.5-inch LCD (Dark Gray)

Canon PowerShot SD1200IS 10 MP Digital Camera with 3x Optical Image Stabilized Zoom and 2.5-inch LCD (Dark Gray)

Technical Details

• 10.0-megapixel resolution captures enough detail for prints up to 13 x 19 inches
• 3x optical zoom; 2.5-inch PureColor LCD II screen
• DIGIC 4 Image Processor with evolved Face Detection Technology; Face Detection Self-timer
• Smart AUTO intelligently selects the proper settings
• Compatible with SD/SDHC, MMC/MMC Plus/HC MMC Plus (not included)

Product Description

When a camera puts a smile on your face the moment you hold it, imagine how great you'll feel when you see your first pictures! The PowerShot SD1200 IS Digital ELPH has everything going for it - exuberant color, the sculptured style of Canon's famed ELPH series - and the innovative know - how that takes you to a whole new level of picture-taking accomplishment. Fun, smart and a style follow you everywhere.

Most Helpful Customer Reviews

1,099 of 1,115 people found the following review helpful: 5.0 out of 5 stars great little cam, some improvements from earlier powershots, some quirks, April 22, 2009 By  Omar Siddique (Ellicott City, MD USA) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)       Amazon Verified Purchase(What's this?) The SD1200 has some big changes over its predecessor SD1100, and is the smallest, best designed Elph I've used thus far. I've owned many models of Elph, this is my 6th or 7th, so my review is aimed especially at other serial Canon owners. I mostly compare the SD1200 to the SD1100. * The big changes: Digic4 and a larger CCD sensor. The slight increase in CCD size (1/2.3" vs 1/2.5") should make for "cleaner" photos. And Digic4 promises faster/cleaner shots also. * You get 10MP vs 8MP on the SD1100, and "medium" (M1) size is now 6MP. JPG quality is down to 2 setting: Fine or Normal. * SD1200 is only slightly smaller than the SD1100, but feels notably smaller by virtue of curved edges and the LCD being flush with the body (no bump-out). * The 1200 now feels as small as this design can shrink. Good news: my average-sized male hands can still comfortably hold it, barely not covering lens, flash, or resting on the LCD. But the round power-button is now almost too small to press if you had big fingers and no fingernails. * 1200's new battery is a higher capacity 1000mAh (vs ~760mAh for SD1100). There's also a new charger (not compatible with the old batteries), a glossy white-colored model to blend into your wall. * The buttons and menus are streamlined. There's now a button for review mode, pressing it a 2nd time takes you back to the previous state. Handy. The slider has dedicated AUTO and Manual settings, no longer need to use menus for that switch. * Continuous mode and ISO now are in the Function Menu (on the SD1100, they had dedicated buttons). * A SD card is no longer included. This makes sense to me, a 32MB card is barely useful, and with the downward pressure on electronics prices, I can't imagine Canon wanting to bundle a more expensive/bigger card. Some people will find this lack annoying. * The A/V output is gone, and the USB connector now serves both purposes (both kinds of included cables now have a USB-end) * A new version of Canon software is required for this model, Zoombrowser 6.3. Canon typically requires a new release for each new family/season of cameras. Unfortunately, the CameraWindow software has been intentionally dumbed-down in the 6.x software and no longer offers the options to delete your photos (have to go through the OS), nor to chose custom naming for the downloads. I say intentionally, since I asked Canon customer-support about it and they stated the changes were not bugs. The last Canon software to still have that functionality was 5.x, corresponding to the SD1000 and other cameras released that season. * In casual indoor tests, the 1200 seemed more ready to go to ISO400 (often too "noisy" to be useful) when the SD1100 would have chosen ISO200. * The SD1200 and SD1100 have identical specs on their optics. However, I noticed a more pronounced barrel-distortion on the 1200 at extreme wide-angle. (still only noticable in close-up shots of straight-edged items at wide-angle) * In a casual speed test, the SD1200 took/stored photos notably faster the SD1100 (same scene, continuous-mode, same brand SD card), despite the 1200's image size being larger. * Canon's paper manuals have been shrinking steadily. With this model, the only manual included is a quick-start guide, the rest is on CD-ROM. * The packaging is even more efficient than before, about half the size of the SD1100's box. * Sadly, there is no HD video mode, although all of the other Elphs released this spring had HD. SD1200 owners are stuck with 640x480 video. Canon has several sub-series within the compact Elph line, varying mostly by asthetics and optics. The SD1200 is successor to the series that included the SD1100, SD1000, and SD600. These all favor a classic, slim design. If you're unfamiliar with Canon's Powershot cameras, there's lots of good material out there on camera sites such as dpreview. In general, the small sensors and optics in all ultra-compact digital cameras lead to some optical quirks (such as barrelling), chromatic aberrations, over/under-exposure in bright sunlight/shade, and underpowered flashes. That's intrinsic to the size of camera, and vendors try to correct these effects in their on-board processing. My opinion is that Canon does a good job of correcting for these issues and the Elphs including the SD1200 take very good photos for their size. It's questionable that a SD1100 owner would specifically find this a compelling upgrade other than the Digic4, but this is an excellent compact camera in all ways. Apart from the noteworthy quirks: the lack of HD and the limited features in the download software, this camera is Highly Recommended. Comment Comments (16) | Permalink | Was this review helpful to you?  Yes No (Report this)

166 of 169 people found the following review helpful: 4.0 out of 5 stars Professional photographers review, July 13, 2009 By  S. Craig "Workout-aholic" (Bellevue, WA) - See all my reviews (REAL NAME)    I'm a professional photographer. I got tired of dragging my D3,D200 or other large cameras around, and worrying about it getting damaged. I decided to buy a camera just for fun that could fit in my purse and I wouldn't have a heart attack if it broke. Well I didn't hold that high of expectations of the camera, but after getting it, I've had a lot of fun with it. Not the most amazing pictures come from it (I am used to very high quality pictures), but they are good enough shots of my family. It's easy to use, really easy to set, FAST, and good low light. You don't always need the flash. It's very small, and can fit easily in my purse (that are all quiet small purses actually). This is a perfect camera if you just want some fun shots that are clear, and you want an easy to use fast camera. This is NOT good for "professional" type shots (why do people write reviews of these cameras and get all down on them for not being professional grade cameras? They never claim to be!). Comment Comment | Permalink | Was this review helpful to you?  Yes No (Report this)

396 of 425 people found the following review helpful: 3.0 out of 5 stars As compared to the SD110, May 17, 2009 By  Sidney G. Mcdaniel (Brandon, MS) - See all my reviews (REAL NAME)    I bought the SD110 (3.2MP) back in 2004 and decided it was time to upgrade this year as it was showing some age. The latest version of that same line is the SD1200. I have had it for a few weeks now and have a few observations. The SD1200 is much faster from the time you turn it on until it is ready to shoot as compared to the SD110. Next, the screen is far better than the one on the SD110. Very bright and readable even in sunlight. The camera itself is smaller than the SD110 as you might expect but does feel a little cheaper. So far I have taken the SD1200 to three main events. A birthday party, K-4 graduation, backyard play time. The birthday part pictures did not turn out well in automatic mode. We were indoors (Pump-it-up) and the lighting was probably not the best. The images were blurry for the most part. I had the same issue at the second event (K-4 graduation) but this time I switched to manual mode and used the "indoor" setting. This greatly improved the picture. Finally, the outdoor shots turned out looking wonderful in automatic mode. With the SD110 the automatic mode was always better than any of the manual settings. It seems with the SD1200 that is not the case. I will continue to explore the settings/features of the camera. I was expecting the SD1200 to be far superior to my 5 year old SD110 but so far the pictures themselves have not turned out markedly better. Comment Comments (12) | Permalink | Was this review helpful to you?  Yes No (Report this)